5/20/2023 0 Comments In the skin of a lion![]() ![]() Later on, for example, when another key character, Caravaggio, watches a woman named Anne through the window of her boathouse, what he sees is described thus: 'In this light, with all the small panes of glass around her, she was inside a diamond, mothlike on the edge of burning kerosene, caught in the center of all the facets' (198). Other descriptive uses of lightness and darkness, as motifs, images, or both, abound within the story as well. ![]() ![]() Simmons (1998) observes that Patrick describes himself, vis-à-vis other characters in the story, as 'nothing but a prism that refracted lives' (157). Michael Ondaatje's central character within the story is a 21-year-old new arrival to Toronto from rural Ontario named Patrick Lewis, a young man who feels emotionally hollow and who is in search of himself. The frequent interplay of the motifs of lightness and darkness is intricately woven throughout the structurally fragmented text. Motifs of lightness versus darkness, in physical and emotional as well as metaphorical respects, run throughout Canadian emigre author Michael Ondaatje's post-modernist novel set in Toronto, the 1920's, In the Skin of the Lion (1987). ![]()
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